Shaka Da Do Na Day
Who wants to be a
musician? Not just air guitar, not that air guitar isn’t good. Reverb and
feedback on air guitar just send me flying. Not just lip synch, though lip
synch is a tool I wish I had known at a tender age. All those snide remarks
from my brothers on the way home from church would have been avoided. If they
couldn’t tackle melody, why on earth should they be qualified to criticize
heavenly harmony? Lip synch could have
saved us all.
Mother’s side of
the family were preachers and wonderful musicians; father’s side made their
best musical efforts with the noise of their well drilling equipment. Mother
wrung her hands every time her children opened their mouths to sing. Her
children were croaking out tunes like their father. She fought to turn the DNA
tide. She rented us musical
instruments. She sent us downtown once a week on the bus to our private music
lessons, even though there was barely enough money for food by the end of the
month.
One of my mother’s
favorite sayings was, ‘You can’t make a silk purse out of a sow’s ear’. Oh how
right she was. While we children had
her family’s love of music inside us, and her family’s desire to express the
love of music, it was only coupled with the ability to bleat like a bloated
sheep. What a sad evolutionary disaster. She refused to give up. At her
continued insistence, we sawed on and blew into our instruments through grade
school, with our high and low notes of success and failure rivaling the tune of ‘Dixie”.
But then
Rock’n’Roll intervened.
Boom da
da da.
Blam da
da da,
Boom da
da da. .
Even the most
rhythm compromised tin ear can follow the Big Beat. Bless the rhythm, lyrics and the melody of rock and roll. If you
heard the song 5200 times, as was always the case, the melody, the Big Bleat,
was, snap, easy to sing.
“One fo
the money, two fo the show…three to get ready an go cats, go….
But don
chew, don chew, don chew……Ba da da da
…. Step on my….
Melody. Melody.
Honest to God. There was Melody in music. We, the musically impaired, actually
sang the melody to the songs in the good old days. Soon we were R&B back up
singers in our dreams. We played air saxophone.
Shah sha
sha Shah shah sha shah sha Shah
Whaaa wa
wa Whaa wa wa wa wa Whaah
That was the
life. But somehow, always, the musically challenged are never happy until they
embarrass themselves publicly in a band. This is why there are so many garages.
I finally got my
chance, the fabulous opportunity to attempt to play in a band. When the musician, who foolishly agreed to
give me music lessons, asked me to introduce him to some friends of mine who
were real musicians, I said no problem, but if you play music with them, I
play, too. He grimaced and shook his head back and forth while nodding yes.
What an expressive guy. He could have been a real actor.
The real
musicians were actually interested, because a music teacher was involved. Oh,
they didn’t need an instructor, they were natural, played by ear, built
instruments, too. Trouble was, their kids, also musically gifted, learned in
school, reading charts, and had no idea how to play music with their folks. The
four kids were a horn section. Some parents raise a hockey or baseball team.
These parents spawned a reed and brass
backup section extrordinaire. The folks played acoustic bluegrass.
Something had to give.
The folks agreed
to play banjo, tenor sax , read charts and learn all the odd jazz chords. The
kids agreed to associate with their parents and use mutes in the trumpets. We
picked up a kid who played drums. We got old Dixieland Jazz charts from the twenties. We practiced.
Basin Street. Tiger Rag, Muskrat Ramble. Livery Stable Blues. Tin Roof Blues. It was summer. We were a porch band.
The clarinet lines floated out onto the warm breeze. It was heaven. We should
have quit there.
The band leader
started pitching the band for gigs. We
played the old folks home. They set us up in the Alzheimer ward. We played a street fair. They put us outside
the city limits. We played a school function. The kids actually played with us
there. We played the county fair. At first the cowboys looked puzzled, then
they started drifting away. They must have been hoping for Willie Nelson.
Critics be
damned, I hit my musical stride in that
band. I was always shuffled to the back of the stage when we played, but I liked to think of it as the second line.
What did I play? Well, we didn’t have a bass or a tuba. We slacked up the
strings on an old viola, lowered the sound as far as it would go, amplified it
with a pickup and I bowed a “bass line” on it. It was funky. It sounded like a
bleating bloated sheep at the bottom of a well. Father would have been proud.